With one studio in Brooklyn and one in Cornwall, CT, Carl D'Alvia and his practice live somewhere sublimely between country and city life. We teetered between the two places in conversation while I visited him recently in his Bushwick studio. When not in NY Carl spends his time running lush trails, working on his sculptures, and visiting nearby Great Barrington, ending the day by rolling hand made raviolis with his daughter and his wife, painter Jackie Saccoccio
. It takes many steps and a lot of patience for D'Alvia to get to the end of one of his projects, finishing his sculptures in materials such as marble, bronze, or clay. I can only imagine this patience isn't gained on the streets of NYC.
Thoughts on Surrealism, Minimalism and the art of Ancient Greece come to mind when I look at D'Alvia's compelling and colorful sculptures. A decisively rendered ebony piece that sits upright on his studio floor and hits about mid-thigh is as welcoming and goofy as a pet Labrador and as clean as a Tony Smith. If minimalism was a reaction against abstract expressionism, then D'Alvia's work is a clever, well-versed, Pop reaction to both. The fastidious patterns that form around his sculptures, be them tubular strands or stylized feathers, are rich in detail with a multitude of curves that repeat like the locks of Laocoon's hair. It was no surprise to hear that D'Alvia had spent time in Italy at the American Academy in Rome after winning the Rome Prize
. There is an obvious appreciation for the formal techniques that are best inspired by looking at the Berninis in the Galleria Borghese
or the Veiled Christ hidden in Napoli's Sansevero Chapel
. After a day spent analyzing these creatures that are part iconic figuration and part furry wisecrack, I felt like I was leaving with a few new friends. Smart ones.
We got hungry for lunch working on our drawings, his of imagined sculptures and mine of real ones, so Carl ran down the street to pick up a couple of Roberta's
pies. This was quite an unexpected and savory part of the visit. A lot of our conversation revolved around his time spent in Rome and my visit there last year. Hence the pizza run. With appearances in recent group shows at places like Regina Rex
, Jeff Bailey
and The Journal Gallery
it seems like a month doesn't go by that I don't run into one of Carl's sculptures. Look out for them yourself and to see more of his work go here http://dalvia.com