Having made the new work not only in her Greenpoint studio, but also outside among the trees, welding with her brother in West Virginia, and at a residency in Vermont, Lambert undoubtedly spent some of her time exploring the lush freedoms of a summer outside of sweaty Brooklyn. This comes across in the prismatic dances that Lambert's unadulterated gestures make across the surfaces of her canvases and sculptures. Loaded with blocks of color in punched up high contrast, her two types of work play off of one another's negative spaces, allowing for a conversation within her practice. Carved out semi-circles in her sculptures frame the space surrounding them and show up repeatedly in her paintings, interlocking her compositions. You can even find some wood pieces of the same shape sitting on the tops of her canvases, breaking up the rectangle's rigidness. Bringing to mind the recent Picasso sculpture show at MoMA, Lambert stretches beyond the boundaries of pure abstraction to reference the curve of a woman's body, broken light coming through the trees, or a perched feathered friend. There is as much to discover in her painted world as there is in a land intoxicated with Summer.
The playlists were sing-along worthy, and the snack table was full of cheese and chocolate, so you can imagine how hard it was to end the visit and head into the cold hard rain that was starting off the Fall. It was great to spend time with Lambert and her work before it headed to the Lower East Side. I am looking forward to my next viewing of it this weekend. To see more go to http://emilynoellelambert.net/section/28244.html
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