In a studio building that hugs the JMZ tracks on Broadway the buzzing of the J train reminded me of another visit I had made, six years prior, on the same floor. There is an unequivocal energy that seeps out of this particular building’s dimly lit hallways — laden with paintings from artists' studios past and present. This year I had the pleasure of sitting with the lovely Angelina Gualdoni, and in 2013, I was with Lauren Luloff. I drew while Angelina prepared for her solo booth at NADA and her solo show at Asya Geisberg Gallery that opens April 5th. Gualdoni made a delicious lentil stew with a hearty homemade bread for our visit. She is known to triumph in the kitchen as well as on the canvas.
she defines portions of her canvases, often depicting still lifes, and leaves others objectively abstract. In one of her newer paintings she lights the sky out of a kitchen window with a devouring red. It is unclear if it is a pleasing sunset or harsh apocalyptic reality. Beauty teetering on the edge of destruction sparks the painting's contemporary concerns. In two other works a laptop sits casually close to the edge of a table and a "No Ban" cardboard torch silhouettes in a window. These details quite fantastically remind us that we are looking at paintings made in the here and now.
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